A voz no silêncio : a linguagem performática interditada na canção popular produzida no período da censura do Brasil pós-1964 : o caso Ronnie Von

• Ano de defesa: 2016
• Autor(a) principal: Souza, Claudeir Aparecido de
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Espírito Santo; BR; Doutorado em Letras; UFES; Programa de Pós-Graduação em Letras
• Palavras-chave em Português: Pop song; Muting; Authoritarianism; Discous; Power; Silenciamento; Ronie Von; Autoritarismo; Discurso; Canção popular; Von, Ronnie, 1944- Censura; Literatura; Música popular - Brasil - Censura; Letras; 82
• Link de acesso: http://repositorio.ufes.br/handle/10/9169

The muting is the expressed interdiction of the person‘s movement by decision of a strong regulation power. Once, in the authoritarianism, the person is not allowed to fill different positions, which forces, at the same time the production of the senses that are not prohibited to him/her, remains, across the discursivity, the clarification of the silence places, to where the materiality of the speech slides to have meaning. In that perspective, one work of the singer Ronnie Von, produced in 1968, in a full fiercer context of the brazilian military government, mediated by tropicalistic aesthetics, presents a series of elements whereby the muting imposed to singer‘s voice and corporeity, both by his colleagues and the power that had control over the market game, besides the politics of the authoritarian State, can be broken by the senses that slide in the holes created by the discursive game of the work itself, and it‘s singer, both relegated to the silence.