As arquitetônicas sertanejas da ficção de João Guimarães Rosa

• Ano de defesa: 2018
• Autor(a) principal: Sousa, Harlon Homem de Lacerda
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Palavras-chave em Português: Rosa, Guimaraes, 1908-1967 - Critica e interpretação; Bakhtin, M. M. (Mikhail Mikhailovitch), 1895-1975- Critica e interpretação; Dialogismo (Análise literária); Literatura brasileira - Critica e interpretação
• Link de acesso: http://www.repositorio.ufc.br/handle/riufc/38759

The sertanejas architectonics of the fiction of João Guimarães Rosa are the categories that dimension this fiction as a new narrative genre created, constructed and realized in the seven books that compose it. The purpose of this work is to present a set of reflections and discussions to support the basic hypothesis of re-reading the Rosian work from the theoretical-philosophical thought of Mikhail Bakhtin and to reshape the Bakhtinian theory from Rosa's literature. The thesis presents itself in two parts being the first one of presentation and discussion of the critical fortune and of the theoretical categories that serve as a screen for the second part, the analysis of the fiction of Guimarães Rosa. Each discussion is linked through philosophical and critical reflections to the establishment and confirmation of the hypothesis materialized in the question: how does Rosa's critical fortune think the aesthetic and ethical sense of the literary form of João Guimarães Rosa? The answers are directed and redirected in each of the four chapters of the first part and demonstrated in the four chapters of part two. In addition to the Bakhtinian theory, several thinkers of Literature, Philosophy, Aesthetics and Culture emerge throughout the work in order to base and establish the main lines of argument of the thesis: the concepts of Weltanschauung and Architectonic for the definition of Rosa‘s fiction as a new literary genre, which is named here as architectonic narrative.