Um prato que se come frio: a dimensão da violência nos filmes de Quentin Tarantino

• Ano de defesa: 2006
• Autor(a) principal: Gomes, Lenildo Monteiro
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: www.teses.ufc.br
• Palavras-chave em Português: Sociology of Art; Sociology of Communication; Cinema - Aspectos sociais - Séc.XX; Cinema - Estética - Séc.XX; Roteiros cinematográficos - História e crítica - Séc.XX; Arte e cinema - Séc.XX
• Link de acesso: http://www.repositorio.ufc.br/handle/riufc/7170

Some aspects of contemporary society can be analyzed from the particular reading scaled in the process of artistic production . Thus the art arises in this historical context influenced by consumerism by society communication and the media , being related to aestheticism and spectacle , especially in reconfiguring the production for television and film . Art is expression of life and the object of analysis of social relations and their assumptions , refer the issue of aesthetics. In this sense the image is an expression to understand the phenomena , notably with regard to the film and its development throughout history , its language , technical and narrative structure . The films of Quentin Tarantino resize aesthetically problematic of violence. As industrial art , reference twentieth century who spread lifestyle and behavior , cinema developed its own language and structure , and the technical and aesthetic treatment a form of composition of his narrative . movies analyzed common feature sublimation ornament and allegory by explicit violence existing in some dramatic situations .