Paradigmas eruditos e o nacional-popular na música brasileira. Dos anos de 1920 à Era de Ouro do Rádio.

• Ano de defesa: 2016
• Autor(a) principal: Oliveira, Lucas Assis de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Palavras-chave em Português: Folklore; Popular culture; Andrade, Mário de, 1893-1945 - Crítica e interpretação; Gnattali, Radamés, 1906-1988 - Crítica e interpretação; Música popular brasileira, 1920 - 1950; Musicologia; Música brasileira - História, 1920 - 1950
• Link de acesso: http://www.repositorio.ufc.br/handle/riufc/18785

The present research refers to brazilian music, thought and established by musicologists and folklorists such as Mário de Andrade, Renato Almeida e Luiz Heitor Corrêa de Azevedo, from the 1920's to the "Golden Age of Radio". This analysis is held mainly in this literature, through bondings and filliations committed to the nationalization of erudite music. It comprehends the breach that separates and measures popular, performed in a pedagogical and doctrinal manner, since intellectuals seek an understanding of brazilian music history and the paradigms that should guide the recording of popular culture and also to perform a national and artistic music as a modern production. Finally, the research focuses on the criticisms the activities of the maestro Radames Gnattali as a way to face the understanding of Brazilian culture by the musicologists, failing to be tied to the concepts of popular or classical, focusing social and cultural dilemmas as the professional and national music.