As negociações de gênero e o mundo do forró pé de estrada: as forrozeiras nas festas de forró em Fortaleza

• Ano de defesa: 2014
• Autor(a) principal: Santos, Luana Paula Moreira
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Palavras-chave em Português: Forró (Música) - Crítica e interpretação; Identidade de gênero – Fortaleza (CE); Discriminação contra mulheres - Forró (Música) – Fortaleza (CE); Negotiations Gender; Forró foot road
• Link de acesso: http://www.repositorio.ufc.br/handle/riufc/20811

Understanding the negotiations of gender in the world of road foot forró, from the relationships experienced by forrozeiras at the parties of forró in Fortaleza is the main objective of this research. The parties of forró represent a fun option for a fortalezenses and tourists. The forró of road foot is reference of artistic attraction in the state, therefore, Ceará is the largest exporter of bands and artists of rhythm. The cearense peculiarity lies essentially in rhythmic differentiation, instrumental and compositions; given the accelerated character, marked by the use of electric instruments and lyrics that emphasize affective relationships, parties, booze, sex, especially the and behavior body of woman. These characteristics of road foot forró, a more urban style, innovation supporter, arouse questions in various segments of society, the strong sex appeal, the use of the female figure and the emphasis on momentary relations; such elements associated with strong female membership and the pejorative and vulgarized connotation, raised questions about woman forrozeira: what are the main attractions of forró party for women? As these women perceive the letters with a pejorative connotation of the female? What is the meaning for forrozeiras the "rapariga" and "piriguete" sung at the songs forró? How occurring the negotiations of gender at the parties forró in Fortaleza? From these questionings were tracings the paths of research. The methodology was ethnography, combined with the technique of semi-structured interviews with forrozeiras participating of parties, bibliographical research as well, documental, participation in online forums forró, monitoring of sites and fanpages of bands and venues. The parties represent multiple dimensions of life of forrozeiras, fun times, break and affirmation of hegemonic social values; hybrid representations relations and negotiations of gender at the parties of forró, which reinforce the autonomy of desire and sexuality and, contradictorily propagates violence, domination / female exploitation. It is in this scenario that forrozeiras they transit and they experience various relationships from the perspective at the fun, of the satisfaction of desire and of the constant differentiation between the woman who lives the moment of the party and the "piriguete", "rapariga" song and labeled, at the parties of forro in Fortaleza.