Olhinhos de Nuvens: Infância e Solidão na prosa de Cecília Meireles

Detalhes bibliográficos
Ano de defesa: 2014
Autor(a) principal: Gomes, Jennifer Pereira
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: www.teses.ufc.br
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: http://www.repositorio.ufc.br/handle/riufc/8268
Resumo: This work aims to observe the figurations of childhood - in that case, girls - and loneliness in prose of memoir nature of Cecília Meireles. We seek to bring us closer to a portion of the work in Ceciliana prose that, compared to other books, are less covered by literary criticism: Olhinhos de gato (autobiographical novel) and Giroflê, giroflá (short stories) . From the in-depth reading of selected works, following the comparative method, we understand (and appreciate) figurations of childhood, focusing on female children's characters: they are children who have a slope facing the poetic, the reverie (identified as characteristic of imagination child), immersed in solitude, with great proximity to death, beyond the intimate experience of transcendence. Watching the stylistic development of the text of the author (imagery, vocabulary choice, sound, theme, etc.) we believe we can still make an approximation that the corpus poetry and other prose of the author, perform a thematic perspective. From the "poetics of the senses" proposed by Gaston Bachelard in The poetic of reverie we’ll realize how is the experience of the world performed by the girls of the corpus of works, observing the oniric spaces where they are and will position us from the exploitation of space, compared to daydreaming, miniaturization, and the transcendence whose principle infinite.