África – Bahia nas fotorreportagens de Verger, Freyre e Tavares em O Cruzeiro (1946-1960)

• Ano de defesa: 2013
• Autor(a) principal: Oliveira, Karine Costa
• Orientador(a): Souza, Ione Celeste de Jesus
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Estadual de Feira de Santana
• Programa de Pós-Graduação: Mestrado Acadêmico em História
• Departamento: DEPARTAMENTO DE CIÊNCIAS HUMANAS E FILOSOFIA
• País: Brasil
• Palavras-chave em Português: África; Bahia africana; Pierre Verger; Fotorreportagem; O Cruzeiro
• Palavras-chave em Inglês: African Bahia; Photojournalism
• Área do conhecimento CNPq: CIENCIAS HUMANAS::HISTORIA
• Link de acesso: http://localhost:8080/tede/handle/tede/199

This study aims to analyze images and representation widespread on Africa and on the African Bahia in the magazine O Cruzeiro. Therefore, we selected two sets of Photo Reports: Series consists of photographs of Pierre Verger and texts by Gilberto Freyre, entitled "turns that are Bahia" and the group Photo Reports produced in Bahia, but that reference a universe African constituted again photographs by Pierre Verger and texts Odorico Tavares. The temporal boundaries between 1946-1960 refer to the entry of Pierre Verger in that magazine as a photographer and focus that gave the elements of the African continent in its work. We take as a theoretical two notions: the shooting, according to Sontag, Kossoy and Muad, and the triad of Cultural History representation, practice ownership.