Detalhes bibliográficos
| Ano de defesa: |
2024 |
| Autor(a) principal: |
Silva, Mateus Soares
 |
| Orientador(a): |
Oliveira, Selma Soares de
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| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Estadual de Feira de Santana
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| Programa de Pós-Graduação: |
Mestrado Acad?mico em Desenho Cultura e Interatividade
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| Departamento: |
DEPARTAMENTO DE LETRAS E ARTES
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://tede2.uefs.br:8080/handle/tede/1703
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Resumo: |
This dissertation analyzes the documentary Sob o ditame de Rude Almajesto: sinais de chuva (1976), written by filmmaker Olney S?o Paulo, which covers conceptions of the Sert?o based on a discourse of rustic semiotics that can only be accessed by thinking about the Sert?o. This documentary is a cinematographic production disconnected from Hollywood grammar and the standards of "official" cinematography, also investigating the impact of the Cinema Novo movement in the Brazilian context, highlighting how this movement does not encompass all cinematographic productions of the time. Through the analysis of this work by filmmaker Olney S?o Paulo, who acted as a cultural mediator between the traditional and the modern, the study explores and problematizes sertanejo knowledge, defending their ways of life and sociocultural traits. The focus lies on the representation of cultural practices related to rain forecasting, offering a unique perspective on the empirical science of the farmer and highlighting the originality of this knowledge in sertaneja culture. The critical analysis of this documentary contributes to a deeper understanding of the sociocultural issues addressed modern cinema. |
