"BALADA DE AMOR AO VENTO" : RELEITURA À LUZ DE "O INCONSCIENTE POLÍTICO"

• Ano de defesa: 2016
• Autor(a) principal: Padilha, Rosenilda Pereira
• Orientador(a): Rodrigues, Raquel Terezinha
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: UNICENTRO - Universidade Estadual do Centro Oeste
• Programa de Pós-Graduação: Programa de Pós-Graduação em Letras (Mestrado)
• Departamento: Unicentro::Departamento de Letras
• País: BR
• Palavras-chave em Português: Paulina Chiziane; Moçambique; Inconsciente Político; Estratégias de Contenção
• Palavras-chave em Inglês: Paulina Chiziane; Mozambique; Political Unconscious; Containment Strategies
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: http://localhost:8080/tede/handle/tede/98

The present word has as object of analysis the work Balada de Amor Ao Vento, written by Paulina Chiziane (2007). In light of the interpretive theory proposed by Fredric Jameson (1992) this work aimed to conduct a "reinterpretation" of symbolic act, according to the three concentric circles of interpretation espoused in book named O Inconsciente Político [...]. For this, about "historicizing" the first level talked about the features of uninterrupted work establishing the relationship between fiction and historical fact in an attempt to get to the ideology of form. On the second level, there was an expansion of the symbolic act by the inclusion of social events in their eminently contradictory relations, reflections of the great class discourses. The third level "unlocked" the essence of the narrative to the peer modes of production, the story of Africa and Mozambique, the struggle for independence and the suffering caused by hate, "ideologeme" ingrained in discriminatory discourse of the colonizer. The result is a reinterpretation of the work comprising it as a symbolic act bearer of a political unconscious, from the discovery and disclosure of the contradictions of novelistic mode, masked political, social and historical matters - critical to building a sense beyond apparent in the text surface. In this sense, the "subtext" submerged and presented the consolidated colonization period, rewritten by the author as a response of Mozambican women to overwhelming ideology of the metropolis and the influences, and, consequences of this in your country, in your individual/collective space, as well...