Detalhes bibliográficos
| Ano de defesa: |
2013 |
| Autor(a) principal: |
Pawlowski, Cristiane
 |
| Orientador(a): |
Gomes, Daniel de Oliveira
|
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
UNICENTRO - Universidade Estadual do Centro Oeste
|
| Programa de Pós-Graduação: |
Programa de Pós-Graduação em Letras (Mestrado)
|
| Departamento: |
Unicentro::Departamento de Letras
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://localhost:8080/tede/handle/tede/45
|
Resumo: |
This dissertation presents a study on the female representation and the fragmentation of the subject in rock lyrics. Lyrics written by Rita Lee, Fernanda Takai and Pitty are analized as a partial study, authors that are diferent in cultural and historical contexts, but with in the rock genre make it possible, by their compositions, a world view of femininityies and postmodern fragmented and multifaceted subject from the perspective and experience of women. The study is, in a whole, in the same line of the cultural studies and has its theoretical basis grounded in discussions of representation, according to Roger Chartier; studies on identity in Post modernity of Stuart Hall and Zygmunt Bauman, and the gender studies of Joan Scott, Teresa de Lauretis and Margareth Rago. The Rock musics a musical genre and cultural movement of transgression and ruptures, of protest appeals and questions about sexuality, brand cultural and identity changes, but defines it self as a predominantly male artistic creation. In rock songs composed by women, chosen as the object of this study, the predominant themes are adressed: the questions on how to be and be in the world; the question of otherness and identity conflict; subjectivities of the postmodern subject; among others. |
