Detalhes bibliográficos
Ano de defesa: |
2015 |
Autor(a) principal: |
Carvelli, Keissy Guariento
![lattes](/bdtd/themes/bdtd/images/lattes.gif?_=1676566308) |
Orientador(a): |
Martins, Ricardo André Ferreira
![lattes](/bdtd/themes/bdtd/images/lattes.gif?_=1676566308) |
Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Dissertação
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Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
UNICENTRO - Universidade Estadual do Centro Oeste
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Programa de Pós-Graduação: |
Programa de Pós-Graduação em Letras (Mestrado)
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Departamento: |
Unicentro::Departamento de Letras
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País: |
BR
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Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
http://localhost:8080/tede/handle/tede/71
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Resumo: |
This research explores questions that are inherent to the artistic language in direct relation to the literary movements which constitute the Brazilian Literatures from the XX Century, having in mind the poetic and critic interference of Paulo Leminski (1944-1989). We explore the path traced by language, its moments of demands, of critics and also of transcendence of limits well placed by the canonic tradition, starting from the manifests that consecrate the advent of Brazilian literary modernity. We chose Leminski`s poetic work gathered in his "Toda Poesia" (2013) as space of fluencies and encounters among (con)tradi(c)tions, innovations, prose and semantic critic made by the poet. We perceive, thus, the dialogues among language, art and culture on key moments of Brazilian modern lyric poems, exalting the poetics that emerges from this literature in constant movement. |