Detalhes bibliográficos
| Ano de defesa: |
2016 |
| Autor(a) principal: |
??lvares, Alexandre Ant??nio de Medeiros
 |
| Orientador(a): |
Kieling, Alexandre Schirmer
|
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Cat??lica de Bras??lia
|
| Programa de Pós-Graduação: |
Programa Strictu Sensu em Comunica????o
|
| Departamento: |
Escola de Educa????o, Tecnologia e Comunica????o
|
| País: |
Brasil
|
| Palavras-chave em Português: |
|
| Área do conhecimento CNPq: |
|
| Resumo em Inglês: |
It comes to this work the airing of some of the concepts and definitions of the structural aspects of television language, from the point of view of discursive semiotics, an appreciation of their serialized narrative structure. Our effort was dedicated to a narratological analysis of the series Game of Thrones, production fictional epic genre, which uses the embodiment of this narrative genre to institutionalize a sense of tonality, to Elizabeth Duarte, which transfers significant elements, narratological enclaves a literary substance to another, the televisual substance through action of transtext, seen in Genette. These characteristics, understood here as strategies for hearing adherence of Duarte, correlate the narrative structure, in view of the actantial function, as defined by Barthes: the function, the action and actant narration in the course of plot facts. Thus, the relationship between the production instance and the reception instance (one side measured by adherence to the discursive strategies and other lends credibility by identification with the dramatic stories and characters) are perceived as structuring, reorganised, mobilizing and upgraders narrative. |
| Link de acesso: |
https://bdtd.ucb.br:8443/jspui/handle/tede/2353
|
Resumo: |
It comes to this work the airing of some of the concepts and definitions of the structural aspects of television language, from the point of view of discursive semiotics, an appreciation of their serialized narrative structure. Our effort was dedicated to a narratological analysis of the series Game of Thrones, production fictional epic genre, which uses the embodiment of this narrative genre to institutionalize a sense of tonality, to Elizabeth Duarte, which transfers significant elements, narratological enclaves a literary substance to another, the televisual substance through action of transtext, seen in Genette. These characteristics, understood here as strategies for hearing adherence of Duarte, correlate the narrative structure, in view of the actantial function, as defined by Barthes: the function, the action and actant narration in the course of plot facts. Thus, the relationship between the production instance and the reception instance (one side measured by adherence to the discursive strategies and other lends credibility by identification with the dramatic stories and characters) are perceived as structuring, reorganised, mobilizing and upgraders narrative. |
