O streaming e a possibilidade de proteção de obra musical por direitos autorais de execução pública.

Detalhes bibliográficos
Ano de defesa: 2019
Autor(a) principal: Lima, Sílvio Latache de Andrade lattes
Orientador(a): Martins, Clarice Marinho
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Católica de Pernambuco
Programa de Pós-Graduação: Mestrado em Indústrias Criativas
Departamento: Departamento de Pós-Graduação
País: Brasil
Palavras-chave em Português:
Área do conhecimento CNPq:
Link de acesso: http://tede2.unicap.br:8080/handle/tede/1216
Resumo: The purpose of this dissertation is to analyze the technical and legal nature of streaming, especially with regard to the possibility of granting copyright protection for the public performance of musical works. The pretension to elaborate it arose from a concern with the possible pacification of jurisprudence, and, consequently, with the negative impacts in the creative industries, before the understanding established in the judgment of Special Appeal nº 1,559,264- RJ. This is a leading case, since the Superior Court of Justice (STJ) has considered streaming, both in the webcasting mode and simulcasting, public execution and, consequently, legitimized the collection of copyrights by the Central Office of Collection and Distribution ( Ecad). Based on the premise that the judgment in question only binds the parties to the dispute, and that, since the jurisprudence of the mother country is a living organism in constant change, the present work intends to shed light on the legal debate on this new technology responsible for the "rebirth" of the industry musical, with a view to delegitimizing an undue burden on.