Detalhes bibliográficos
| Ano de defesa: |
2001 |
| Autor(a) principal: |
Abranches, Maria Stella Dunshee de |
| Orientador(a): |
Morato, Henriette Tognetti Penha
 |
| Banca de defesa: |
Francisco, Ana Lúcia
|
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Católica de Pernambuco
|
| Programa de Pós-Graduação: |
Mestrado em Psicologia Clínica
|
| Departamento: |
Psicologia Clínica
|
| País: |
BR
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
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| Link de acesso: |
http://tede2.unicap.br:8080/handle/tede/179
|
Resumo: |
Human experience s complexity and plurality, which demands questionning on possible articulations of contemporary clinical psychology and other areas of knowledge, builds up this work s scenary which aims to get acquainted with and transmit the psychologist/artists experience. Based on her own experience as a singer and as a psychology therapist, the researcer runs over other psychologists/artists narratives to through them investigate some possible articulationns between these two practices . In order to reach the proposed objectives, the author circumscribes both experiencing and transmission, by means of the narratives, in Gendlin s and Benjamin s works, in search of a theoretical basis needed to validate them as knowledge s production and transmission elements. Then she gives a brief description of the role of narratives in psychotherapy according to Goolishian s and Anderson s postmodern view. Finally, after presenting the psychologists/artists s narratives, she deepens her initial questionning by going through a dialog between her understanding of the research participants experience and the theoretical references which guide her final appreciation |
