Uma análise do story world de Star Wars: A new hope e Star Wars: The force awakens

• Ano de defesa: 2017
• Autor(a) principal: Vieira, Antonio Henrique Garcia
• Orientador(a): Andrade, Leonardo Antônio de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de São Carlos; Câmpus São Carlos
• Programa de Pós-Graduação: Programa de Pós-Graduação em Imagem e Som - PPGIS
• Palavras-chave em Português: Narrativa; Canônicidade; Continuidade; Vasta Narrativa
• Palavras-chave em Inglês: Storytelling; Canon; Continuity; Vast narrative; Canonicidad; Continuidad
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA; CIENCIAS HUMANAS; CIENCIAS SOCIAIS APLICADAS; LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA::INTERPRETACAO CINEMATOGRAFICA; LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA::ROTEIRO E DIRECAO CINEMATOGRAFICOS; CIENCIAS SOCIAIS APLICADAS::COMUNICACAO::COMUNICACAO VISUAL; CIENCIAS SOCIAIS APLICADAS::COMUNICACAO::TEORIA DA COMUNICACAO; CIENCIAS SOCIAIS APLICADAS::DESENHO INDUSTRIAL::PROGRAMACAO VISUAL
• Link de acesso: https://repositorio.ufscar.br/handle/20.500.14289/9588

This research aims to analyze the problematic around the canonicity that may have being lost in this new moment of the Star Wars franchise, by means of a comparative analysis between the structures of the film A New Hope (1977) and The Force Awakens (2015). Considering that A New Hope is the cornerstone of the canonicity of the Star Wars franchise; The Force Awakens, it´s a new moment in the franchise. Such a comparison creates a structure between the two narratives in such a way that the result is an excellent source for understanding the contentment and dissatisfaction of the fans, from a comparative point of view and not just perceptions. The comparative analysis was made according to the storytelling structure proposed by Vogler (2006), analysis of structural elements of Transmedial Worlds proposed by Klastrup and Tosca (2004), comparison of tables from the research of Ruiz (2016) and Antell (2016); And finally, a study of the color palette proposed by Hyo Taek Kim; 2015. This research results in a useful document to think about conservation and maintenance of forms of production, in view of canonicity, continuity and storyworld in the transmediation franchise; Besides raising the question of such media structures and their acceptance by the respective market and its consumer.