Cinema, narrativas e imaginário: a reinterpretação do conto de fada em Star wars: o despertar da força (2015) e Star wars: os últimos Jedi (2017)

• Ano de defesa: 2019
• Autor(a) principal: Silva, Dayane Costa Oliveira da
• Orientador(a): Santos, Goiamérico Felício Carneiro dos
• Banca de defesa: Santos, Goiamérico Felício Carneiro dos, Jordão, Janaína Vieira de Paula, Carrascoza, João Luís Anzanello
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Comunicação (FIC)
• Departamento: Faculdade de Informação e Comunicação - FIC (RG)
• País: Brasil
• Palavras-chave em Português: Cinema; Narrativa; Imaginário; Conto de fada; Star wars
• Palavras-chave em Inglês: Film; Narrative; Imaginary; Fairytale
• Área do conhecimento CNPq: CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/9445

This dissertation’s main approach consists in the reinterpretation of narratives in contemporary film, particularly those associated with fairytales. Contradictions and excesses are defining characteristics of contemporary times, and they’re reflected in our cultural products, especially in fiction. The starting point of this research consists in The Force Awakens (2015) and The Last Jedi (2017), respectively, seventh and eighth episodes of Star Wars franchise; from them, we investigate the presence of classic narrative elements within film language and their subsequent reinterpretation in contemporary media culture. Theoretically, the work is supported by three thematic axes in continuous dialogue, namely ‘Communication, media and culture’, ‘Film in contemporary media culture’ and ‘Narrative and fairytale’. Therefore, the dissertation’s object of analysis is studied from a cultural and communicational perspective, with major support from Culturological Theory according to Morin (2011, 2018) and from film studies according to Lipovetsky and Serroy (2009, 2011, 2015). For analysis purposes, the morphological study of the fairytale (PROPP, 1968, 2002) followed by film analysis (VANOYE; GOLIOT-LÉTÉ, 2012) are used, both methods which, in tandem, encompass the corpus, the selected authors and the research’s central question.