Dialogismo e tradução intersemiótica em Pink Floyd The Wall: luto e melancolia na Inglaterra do pós-guerra

• Ano de defesa: 2010
• Autor(a) principal: Martucci, Maurício Dotto
• Orientador(a): Soares Junior, José Gatti
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de São Carlos
• Programa de Pós-Graduação: Programa de Pós-Graduação em Imagem e Som - PPGIS
• País: BR
• Palavras-chave em Português: Filmes musicais; Rock; Parker, Alan William, 1944-; Bakhtin, Mikhail Mikhailovitch, 1895-1975; Dialogismo; Romance polifônico; Adaptação; Tradução intersemiótica; Narrativa; Narrativa audiovisual; Música; Drama musical; Pink Floyd; The Wall; Rock progressivo; Ópera rock; Roger Waters; Segunda gerra mundial; Nazismo
• Palavras-chave em Inglês: Dialogism; Polyphonic novel; Adaptation; Intersemiotic translation; Narrative; Audiovisual narrative; Cinema; Music; Musical film; Music drama; Pink Floyd; The Wall; Rock; Progressive rock; Rock opera; Roger Waters; Allan Parker; World war II; Nazism
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA
• Link de acesso: https://repositorio.ufscar.br/handle/20.500.14289/5590

The film Pink Floyd The Wall, adaptation to the cinema of the Pink Floyd´s concept album, tells the Pink´s story, a musician, that was born in England during the World War II final years, he had his father died in a battle and this fact start a process of depression and melancholy that culminate in his total apathy towards life. This research has its focus on the literary content of the songs from the original album, the aim is study the film formal structure, its differences, similarities and complementarities comparing to the album narrative, observing the translation and artistic recreation process from the album to the movie and also confirming the dialogical relations between the different problems, contextualization, languages and representations explored in this art piece.