A recepção criativa de “L’Étranger” em “Meursault, contre-enquête” de Kamel Daoud

• Ano de defesa: 2021
• Autor(a) principal: Pimentel, Gabriel Dias
• Orientador(a): Nascimento, Luís Fernandes dos Santos
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de São Carlos; Câmpus São Carlos
• Programa de Pós-Graduação: Programa de Pós-Graduação em Estudos de Literatura - PPGLit
• Palavras-chave em Português: Literatura; Albert Camus; Kamel Daoud; Chico Buarque de Hollanda
• Palavras-chave em Inglês: Literature
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURAS ESTRANGEIRAS MODERNAS
• Link de acesso: https://repositorio.ufscar.br/handle/20.500.14289/14950

The present work proposes to develop a brief analysis of the different forms of interpretation of the work L’Etranger (1942) by the Franco-Algerian writer Nobel Prize for Literature Albert Camus. Based on the panorama of his critical fortune, we enter into the analysis two works directly influenced by Camus, namely the novel Meursault, contre-enquête (2014) by the writer Kamel Daoud and the song As caravanas (2017) by the Brazilian multiartist Chico Buarque de Hollanda. In this analytical path, we will enter into how postmodern parody and fictional testimony are fundamental points in the work of Daoud and the critical reinterpretation of Brazilian social relations will be the song of Hollanda. Our theoretical foundation, in addition to the critical fortune of the source text of Camus, will be based on the theoretical basis of the author Linda Hutcheon (1985; 1991), to discuss her postmodernity, Márcio Seligmann-Silva (2005) and Beatriz Sarlo (2007) contributing to the status of testimony, among others authors who contributed in different ways to build the critical fortune of the three works worked and guide the interpretations defended during the dissertation.