Detalhes bibliográficos
Ano de defesa: |
2014 |
Autor(a) principal: |
Mendonça, Lívia de Carvalho
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Orientador(a): |
Fanti, Maria da Glória Corrêa Di
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Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Tese
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Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Pontifícia Universidade Católica do Rio Grande do Sul
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Programa de Pós-Graduação: |
Programa de Pós-Graduação em Letras
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Departamento: |
Faculdade de Letras
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País: |
BR
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Palavras-chave em Português: |
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Área do conhecimento CNPq: |
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Link de acesso: |
http://tede2.pucrs.br/tede2/handle/tede/2189
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Resumo: |
It is researched about the writing of remaining students from quilombos located in a community of Feira de Santana-BA. The writing, as a social and historic phenomenon is noticed in school and extracurricular context composing the daily life of the students. The main issue of studying writing in a remaining community of quilombos comes from the fact of recognizing a kind of silence in his speeches, guessing that their voices were not heard all the way through the history. It is presented as general objective analyze the writing practices of remaining students from quilombos, inside and outside of the school, observing a school that is situated in a cultural context of remaining quilombos, taking in account, in the writing activities proposed in classroom, the cultural practices of their students, constitutive of theirs daily life. This study is the result of an interpretive ethnographic research in which it presents the methodological point of view that subsidizes this work, considering a possible complementarity between the dialogical epistemology of bakhtinianos studies. It has been chosen, between the universe of the possibilities, a representative group of four students, were selected for analysis four different texts, two of them qere made inside classtoom and the other two outside classroom. In the analysis of the written productions were considered in conjunction with other concepts, three main notions of the bakhtiniana theory: dialogic relations, social voices and accents value. The theoric referential underlying the reflection is based on the thought of Bakhtin and his circle in relation to the historical-cultural approaches developed by Chartier (2004), Burke (2005) and De Certeau (2009). Altogether, it is conclued that the texts made in the school, the wording and a congratulatory card have no real counterpart and are not examples of writing practices that arise from communicative needs, even if it exists dialogical relations with different activities experienced by students, as was the case in the semana da criança e dos festejos natalinos. The review of those genres reveal that the writing made inside school domain were made to fulfill an activity. Perhaps, for this reason, the interlocutor/''other is abscent for both texts and, in the specific case, it should be emphasized that the writing is a genre that only exists in the school. However the texts collected in daily life have different purposes and enunciative and the enuntiative projects of each one meets the specific demands of consumption. All the wealth of information collected in ethnographic research does not seem to be aware of the school. For this reason, a proposal which falls in this research is the escreviver, which is to integrate the language, by writing, with life. It is understood that the more a student feels the sense in the production of texts, he will live more intensely the world of writing, find more sense in the production of texts and more will value their own culture. Therefore, the following thesis came from the result of the developed work: although the school is situated in the cultural context of remaining quilombos and is aware of the importance of bringing the school knowledge for language production, has not proposed writing activities, developed in the 5th year, that cover aspects of local quilombo culture. This work tends to contribute to a strong need to dive in basic school, especially in the basic education of situated contexts and, in ballast, reflect about a society that constitutes a texts attributing authorship to anonymous voice, showing the richness of voices forming that constitute the ideological and historically and noting that milestones of life through memory, indentity and literate cultural events. Therefore, this work falls in the tension of the notion of escreviver, ie, the passage of a dichotomous undestanding, in the strict sense of the individual who lives or write to the vision of a diological subject in broader context, one that lives, writes and the production speaks, silent and produces different directions. |