Detalhes bibliográficos
| Ano de defesa: |
2013 |
| Autor(a) principal: |
Bender, Mires Batista
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| Orientador(a): |
Mello, Ana Maria Lisboa de
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| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica do Rio Grande do Sul
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| Programa de Pós-Graduação: |
Programa de Pós-Graduação em Letras
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| Departamento: |
Faculdade de Letras
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| País: |
BR
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| Palavras-chave em Português: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://tede2.pucrs.br/tede2/handle/tede/2107
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Resumo: |
This study aims to analyze the creation process of the poet Mário Faustino to observe his interaction with the aesthetic disruptions that occurred in the early twentieth century, in particular, investigating the reflection that such languages operate in the constitution of his lyrical subject, which reveals its fragmentation, consisting of multiple voices. Within this approach the study observes the treatment which the poet dispenses to typical resources from visual arts, such as the cubist collage, the ideograms, and the cinematographic setting, as well as exploring the metalanguage and the reinterpretation of the classic myth, proposing a revitalized and specialized language in traditional forms such as the sonnet and the ode. The corpus is compound by Mário Faustino s poems and his essays about poetry, having as support his writing essays on poetry in order to find the reflections that led him into his poetic project.As for the method, the research is of a basic nature, therefore it intends to propose a new hermeneutic perspective to the study of Faustino s poetry, seeking to enrich the critical apparatus about his work. By goal, it is descriptive/explanatory, since it not only describes the phenomena, but is also interested in identifying the factors that determine or contribute to their occurrences. By procedure, it is part of the documentary research, using, not just the usual theoretical references of literature, (such as books and scientific papers), which are provided from non analytical resources like newspapers, magazines, letters and interviews. The theoretical bases are supported by the studies about modern poetry from Hugo Friedrich, the poetic approach in the studies from Mikhail Bakhtin and the essays from T. S. Eliot. Through the analysis of Mário Faustino s style and his relation with the contemporary works, this dissertation examines the new propositions of poetic language contained in his work. This exam reaches the conclusion that the poetic self occurs in his poems as a result of a reflection about the modern concept of depersonalization, culminating in the experience attained by Fernando Pessoa |
