Detalhes bibliográficos
| Ano de defesa: |
2024 |
| Autor(a) principal: |
Silveira, Felipe Fortes
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| Orientador(a): |
Madarasz, Norman Roland
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| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica do Rio Grande do Sul
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| Programa de Pós-Graduação: |
Programa de Pós-Graduação em Filosofia
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| Departamento: |
Escola de Humanidades
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucrs.br/tede2/handle/tede/11168
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Resumo: |
This thesis proposes an analysis of the operaist (workerist)-autonomist thought of Antonio Negri, aiming to demonstrate that the operaist method of analysis, developed by Negri and other thinkers in the 1960s and 1970s in Italy, is an appropriate Marxian methodological tool for studying internal transformations, both in terms of class composition and subjectivity, and structural transformations of capital, consequently being able to analyze mutations, discontinuities, ruptures, and breaks in forms of struggle, the subjects embodying these struggles, and modes of conflict in capitalism. Our aim is to show that Italian operaism (workerism) constituted a worker and proletarian perspectivism, introducing into Marxist thought the problematics of a viewpoint irreducible and antagonistic to the viewpoint of the science of capital, complemented by the unrestricted advocacy of a political accelerationism of struggles, in the pursuit of forms of organization immanent to the class's own behavior that intensify conflict against the capitalist system. We will see that in the context of the 1960s and 1970s, this perspectivism and accelerationism took shape through practices of refusal of work, advocated by operaists against the Marxist orthodoxy of the official workers' movement of the period. As we will demonstrate in the thesis, these two elements constitute the basis of a marxian, worker, and proletarian science, termed by Negri as the science of crisis and subversion. Thus, we argue that Negri's don’t departure from operaist analysis in the transition from the 1960s to the 1970s than advocates a continuation of the method, seeking to read the transformations in the class occurring in the period, in the form of his hypothesis of the transition from the mass worker to the social worker, as a result of a crisis in the measure of the law of value, destroying the keynesian Planner-State and constituting the State-form of the Crisis-State. The thesis employs a method of historical exposition of concepts; therefore, we will analyze the philosophies of Raniero Panzieri, who, by introducing the problematics of worker autonomy as a refusal to integrate into capital development, and Mario Tronti, who systematizes in "Workers and Capital" the perspectivist thesis of the Copernican turn, are fundamental thinkers in critical dialogue with Negri in the period, as well as take an overview of the journals Quaderni Rossi and Classe Operaia, which developed the methodology of co-research and workers' inquiry, and the revolutionary organization Potere Operaio, which pushes to the limit the problematics of organization in the first phase of operaism towards the Autonomy movement of the 1970s, which will be analyzed for posing a series of new problems and new subjects of struggles that force the updating of the operaist method. All these aspects are inseparable from Negri's operaist-autonomist experience in the period, which ends with the state repression of the Italian social movement and Negri's imprisonment. Finally, the thesis, by presenting a series of concepts such as refusal of work, proletarian self-valorization, crisis of the law of value, among others, philosophically debates a line of Marxism that is still marginal in contemporary thought discussions and provides a series of useful mechanisms for analyzing transformations in class composition. |
