A representação do mal-estar líquido no cinema de Michael Haneke

Detalhes bibliográficos
Ano de defesa: 2015
Autor(a) principal: Cassales, Lucas Pereira lattes
Orientador(a): Gerbase, Carlos lattes
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica do Rio Grande do Sul
Programa de Pós-Graduação: Programa de Pós-Graduação em Comunicação Social
Departamento: Faculdade de Comunicação Social
País: Brasil
Palavras-chave em Português:
Área do conhecimento CNPq:
Link de acesso: http://tede2.pucrs.br/tede2/handle/tede/6016
Resumo: This dissertation analises the work of the austrian director Michael Haneke, placing it as a cinematographic representation of the liquid discomfort. To do so, first, it makes a historical and social survey about the elements that compose the liquid discomfort. Then, it studies is forming concepts, through the work of Jean Braudillard and, mainly, through the liquid theory of Zygmunt Bauman, characterizing the liquid discomfort from those theories. From that point, it brings Haneke as an author, to allow the use of his cinematography in terms of filmic representation of the liquid discomfort. As a methodological model of analysis, it bases in Aumont and Dubois to create an hybrid method of a more fluid and essay-like way: the narrative analysis. Supported in this progression, it analyses Haneke's first two feature films comercially distributed in screening rooms, The seventh continent (1989), and Benny’s video (1992), with the intent of showing its hipothesis.