Espetáculo jogralesco: o gesto vocal

Detalhes bibliográficos
Ano de defesa: 2013
Autor(a) principal: Rocha, Janaína Marques Ferreira lattes
Orientador(a): Bastazin, Vera Lúcia
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Literatura e Crítica Literária
Departamento: Literatura
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://tede2.pucsp.br/handle/handle/14733
Resumo: Departing from the concept of 'performance' by Paul Zumthor, this work searches, in the occitane narrative of the XIII th century and in the seven galicianportuguese cantigas de amigo by Martin Codax, the voice modulation and the body expressivity in jongleurs, seeking to identify in which way both these genres, narrative poem and lyric poetry, give prior to distintct gestures. In the occitan roman, we analyse - in the perspective of dialogical interventions - the relation of the interpreter with the listeners. In the seven chaints, we mark the using of rhetorical-styllistc resources as support to memory and voice expressivity. In this way, we contextualize the social function of jongleurs, delimiting its space, its habilities and marking its importance as trasnmissors of medieval literary production. As a synthesis of this investigation we reflect about the presence of this tradition in contemporary times through the transcription of Codax's chaints to the dance show "Sem Mim", made by Grupo Corpo