Detalhes bibliográficos
| Ano de defesa: |
2022 |
| Autor(a) principal: |
Dias, Cleberson
 |
| Orientador(a): |
Torres-Londoño, Fernando
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| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
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| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Ciência da Religião
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| Departamento: |
Faculdade de Ciências Sociais
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://repositorio.pucsp.br/jspui/handle/handle/25930
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Resumo: |
This thesis is divided into three movements. The first – the flesh – proposes to analyze, based on his biography, interviews, letters and chronicles, the spaces that “Holy” occupies in the life of Brazilian writer Caio Fernando Abreu. “Between acts”, the second movement – the spirit – deals with the author based on the assumptions of Romanticism: his work announces the primacy of emotion over reason, outlining a kind of literature that seeks the inside and the “meeting” with Nature. The third and last movement – the sacred – is rebuilt in the mirroring of the first and the second, verifying its implications in the narrative elements of two literary works: Triângulo das Águas and Onde andará Dulce Veiga? The hypotheses: the almost obsessive interest in the “Other Thing” results in a literature committed to elevating the spirit. Towards Infinity. The writer is a late twentieth-century romantic, who seeks God, and his poetry incorporates aspects of the new spiritual movements |
