Detalhes bibliográficos
| Ano de defesa: |
2011 |
| Autor(a) principal: |
Toledo, Alexandre Mauro
 |
| Orientador(a): |
Salles, Cecilia Almeida |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
|
| Departamento: |
Comunicação
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/4314
|
Resumo: |
From the monologue, which called a theatrical "elementary, explore the process of artistic creation of theatrical direction. The importance assumed by chief figure of the theatrical shows in recent decades, in our view, to the emergence of a new drama, the drama of theatrical performance. The director of modern theater plays an important role in the show since its contemporary role transcends that of mere rehearsal. The acting is his own writing. Fit to the director of tasks such as preparing the actors, the articulation of different languages that interact in the show (costumes, set design, music, light), adaptation and even rewrite the text and in some cases, even the writing of the text. If we seek to discover the theater director a picture of a new playwright, should surprise you at the very moment in which he elaborated his text at the time of creating the show and when it is not possible, try to rebuild his creative path. The methodology that best suits our purpose is to analyze the processes of creation proposed by critics as the second genetic Salles, Genetic Criticism analyzes the documents from the artist's own hand in order to understand the mechanisms of production, to elucidate the paths taken and try to understand the process that presided over the development of the work. This is a recent methodology, which has few papers in the field of theater. Thus, our work was divided into two basic fronts: the analysis of sketches and notes made by various directors in the theater over the tests have shown to the public spectacles and follow-up testing of shows yet to premiere |
