Detalhes bibliográficos
| Ano de defesa: |
2011 |
| Autor(a) principal: |
Messias, Carlos Alberto Rodrigues
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| Orientador(a): |
Segolin, Fernando |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
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| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Literatura e Crítica Literária
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| Departamento: |
Literatura
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| País: |
BR
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/14686
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Resumo: |
Discusses the concepts of allegory, satire, parody, orality and mimesis in Literature, focusing on three short-stories of the compilation Guerra Conjugal ( Conjugal Warfare , 1969), by Dalton Trevisan. The corpus is: O Senhor Meu Marido, Trinta e Sete Noites de Paixão and Este Leito que É o Meu que É o Teu. The object is the representation of the conjugal conflict, ignited by sex, as a microform of the state of isolation and alienation of contemporary western society. The family home is set as a battle arena of the man-woman relationship and allegory takes form by literary resources that aim for a verisimilar display of the characters s drama. That s where it resides its mimetic power. The analysis of allegory and satire, by the deductive and comparative method, is based on the theoretical body of João Adolfo Hansen, as the assessing concerning the mimetic aspect of the stories are grounded on Erich Auerbach and Luiz Costa Lima. Appreciations of the orality in phrasal construction borrow notions of Paul Zumthor. The interpretations of the characters as living forms of allegory are based on works of Fernando Segolin, Gerard Genétte and Vladmir Propp. With the objective of comprehension of the stories s logical structure, the concept of motive in Tzvetan Todorov is also quoted |
