Detalhes bibliográficos
| Ano de defesa: |
2021 |
| Autor(a) principal: |
Cação, Felipe Quartim Barbosa
 |
| Orientador(a): |
Vieira, Vera Lucia
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| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
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| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em História
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| Departamento: |
Faculdade de Ciências Sociais
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| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://repositorio.pucsp.br/jspui/handle/handle/24542
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Resumo: |
The aim of this work was to analyze the expressions of the tragic in Vincent van Gogh, understanding tragedy as an ontological phenomenon that runs through the painter's daily life, his interpersonal relationships, since childhood, youth and adulthood, and that finds its full expression in his art. For this investigation of tragedy in the painter's ontology, we submit the vast material that makes up his production, both pictorial and personal correspondence, to the lens of Nietzschean concepts about tragedy. Therefore, it was here to analyze the expressions of the tragic in the life and work of the Dutch painter, understanding tragedy as an inherent aspect of his work, to whose configuration contribute not only the particularities of his life, but also the tragicity experienced and analyzed by several authors of that same historical moment. However, it was in Nietzsche's texts on Greek tragedy that we glimpsed, in Van Gogh's production, tragedy as an ontological component in his production. A characteristic that is based on the daily life of his life, as an expression of his particular interaction with his time, but which also expresses an aspect of the societal generosity of that historical moment, in an accelerated transformation towards "modernity", before which individuals feel thrown into a whirlwind, at the mercy of circumstances |
