Detalhes bibliográficos
| Ano de defesa: |
2013 |
| Autor(a) principal: |
Oliveira, Maria Helena Carvalho de
 |
| Orientador(a): |
Pelbart, Peter Pál |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica
|
| Departamento: |
Psicologia
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/15275
|
Resumo: |
This research intends to understand how art contributes to a widening of the field of affects which interfere with clinical activity in Psychology. In analysis, through the follow-up of processes, including those belonging to the author with her own affects, experiences and encounters, trigger situations which discuss the state of the art; the work of Frida Kahlo as a passage way in the relationship life-art, and some scenes, fragments and syntheses, which articulate themselves in the central question of the research: life, art, affects and clinical activity, organized with the fundamental support of the philosophy of Deleuze, which helped me thinking more strongly about an open therapeutic space, in some deviant way which overflows the consulting room and the classroom. In my daily practice of the art-informed making of psychology, I understand life as an intensive map composed by passages, possibilities and landscapes where, with the strength of sensitivity, each person produces their own artwork, which is not necessarily an object, but instead their own lives, a transitional space towards some kind of emancipatory transformation, autonomous, critical and creative |
