Detalhes bibliográficos
| Ano de defesa: |
2009 |
| Autor(a) principal: |
Nêto, Juliana Caetano
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| Orientador(a): |
Leote, Rosangella
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| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Tecnologias da Inteligência e Design Digital
|
| Departamento: |
Faculdade de Ciências Exatas e Tecnologia
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| País: |
BR
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/18227
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Resumo: |
As the artistic movements, the act of story telling has changed considerably due to technical advances. Mobile devices have influenced the creation of unusual narratives that investigate, among other things, the relationship between space and individual. This essay intends to discuss the changes that this relationship has suffered due to the spread of pervasive computing, and how these changes enabled the emergence of new trends in aesthetic technology. Mobile devices of communication re-invent urban environments, such as multiplayer connected environments independent of the geographical position and physical presence, encouraging the emergence of hybrid spaces, which is defined by the disappearance of borders between physical and virtual and created by a constant mobility of users who use handsets. As theoretical support, the thinking is based on studies of André Lemos, Lúcia Santaella, Milton Santos, Pierre Lévy, and artists such as Jeremy Hight, the English Blast Theory. The essay intends to introduce a scenario of aesthetic technology based on mobile devices and the public spaces, and through an specific case show how is the relationship between narrative and technologies in hybrid spaces |
