Detalhes bibliográficos
| Ano de defesa: |
2008 |
| Autor(a) principal: |
Angeli, Andréa do Amparo Carotta de
 |
| Orientador(a): |
Rolnik, Suely Belinha |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica
|
| Departamento: |
Psicologia
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/15680
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Resumo: |
This work is the effort to promote a conversation beetwen theatre and clinic, where the and , the intersection, is considered the main point. With this aim, the concept of encounter is taken as a mediator for the exercise of writing and thinking. To find a way in beetwen these two fields, a territory of research is created which is denominated as teatrar ( to theatre ), searching to study both its components and its variations. The procedure of work chosen was to let the encounters produce conections, contaminations and proliferations. Narratives were generated for clinical and scenical situations originated at the researcher s practice as an occupational therapist and as a collaborator for a theatre company, in a way to make the cartography and to reveal the issues involved in the relationship of forces present at the encounters. The investigation focused in their different layers, agitations and achievements. Conceptual narratives were also produced through conversations with philosophers, like Gilles Deleuze and Félix Guattari, and theatre authors, like Jerzy Grotowski and Samuel Beckett. From these authors works, the elements were evoked that could resonate in the process of investigating, making the criticism, and creating this territory called teatrar. There is also the effort to concieve strategies that could put clinic and theatre in a state of playing, where people involved are commited to the invention of clinical and scenical devices that are able to affirm life in its power of variation and autopoiesis. Breaths, a provocation for the research and creation of theatricalclinical operations that produce splits, openings, disruptures, compositions that can liberate life from its obstructions and allow it to continuously reivent itself, breathing |
