O acompanhamento terapêutico como dispositivo transdisciplinar de articulação na cidade: a cena no AT

Detalhes bibliográficos
Ano de defesa: 2018
Autor(a) principal: Sereno, Deborah lattes
Orientador(a): Furtado, Odair
Banca de defesa: Não Informado pela instituição
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Psicologia: Psicologia Social
Departamento: Faculdade de Ciências Humanas e da Saúde
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://tede2.pucsp.br/handle/handle/21080
Resumo: This research is based on the unquietness related to the field of therapeutic accompaniment (TA), more precisely on the training of workers in this function and seeks to contribute to the schooling of mental health workers in the territorial care devices created after the Brazilian Psychiatric Reform (RPB) and National Policy of Mental Health (PNSM). The research traces the clinical-political trajectories of mental health in Brazil, going through the prehistory of the TA in the 1960s, to focus on the second half of the 1970s, a time of political effervescence and a struggle for the country's redemocratization, and when the Day-Hospital A Casa was founded, where we place, at the beginning of the 80's, the emergence of the TA in São Paulo. From this trajectory, it was possible to situate the TA, from its origins linked to the opening movements, as of resistance to hegemonic, homogenizing, silencing, excluding powers and also its transdisciplinary disposition. With this, it is affirmed that the theorization of the TA makes use of different conceptual tools to be able to perform its clinic in the city, in the territory, and of the demands that arise from the RPB. In proposing the scene as a conceptual tool of the TA, we sought to contribute to the construction of subsidies for the TA clinic, the scene as the clinic's own method, the way the TA works and also as a transmission device of the TA clinic and on duty training. The division of the scene into four constituent elements - the open frame, the presence / body, the transference / listening of the subject and the city served as a clipping for reading of different authors committed to theorize the TA clinic, this division being purely methodological, once that these terms are linked. The discussion of the scenes of an TA presented in an open supervision shows the scene operating in its multiplier effects of senses. At the end of the course, it is considered that, from the perspectives of the networks, from its role as a war machine and from the contagion to the insurgent movements, from what the city is not allowed to dominate, the TA can operate in resistance to the control processes and automation of life