Detalhes bibliográficos
| Ano de defesa: |
2006 |
| Autor(a) principal: |
Kuninari, Ana Maria Rodrigues Alves |
| Orientador(a): |
Brait, Elisabeth |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Linguística Aplicada e Estudos da Linguagem
|
| Departamento: |
Lingüística
|
| País: |
BR
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
https://tede2.pucsp.br/handle/handle/13866
|
Resumo: |
The present work aims to reflect on the doctor-patient interaction based on the analysis of the fictional text Domingo a Tarde, a novel by Fernando Namora, written from October 1959 and October 1960. Its action is passed at a public hospital of Lisbon. The purpose of this study is to verify how the utterances multivocal character is esthetically constituted through the narrator's verbal communication with himself, with his friends and with a specific patient, in situations that happen in several spaces and in different times, in the narrative context of the romance. The research is justified because the analyzed work, presenting a graphic literary reconstitution of the doctor-patient interaction, makes available some of the main aspects of this interaction, one to which we can only have access as doctor and/or patient, for the contract implied there in is a private one which no researcher can violate, neither directly nor by means of questionaries interviews and so on. The methodology consisted on the chapters' organization from the perspective of the relation between text and context, from the point of view of dialogical relations: the narrator's memory, the comment that reviews his past, the self-criticism, the metaspeech, from the one hand, and the plot itself, the history, from the other. As analytical category, the work uses reported speech, according to Bakhtin and his Circle: trought the narrator's voice, other voices are recovered through direct, indirect and free indirect speechs. One can perceive that the literary text that constitutes the corpus of the research can be understood as an esthetic representation of social dissymmetries in the doctorpatient interaction (in the social-cultural context and in the historical moment of Domingo à Tarde). Besides, in the literary language of this novel one sees represented the transformation of the professional's posture that humanizes herself - and suffers due to her incapacity of saving and/or to cure incurable sick people -, when evaluating the "other" be the "other" the doctor-narrator himself, that recognizes and identifies in and by the "others" glance, or the other doctors, the patient, the friends, or patients in general |
