Detalhes bibliográficos
| Ano de defesa: |
2014 |
| Autor(a) principal: |
Lima, Marli Machado de
 |
| Orientador(a): |
Rolnik, Suely Belinha |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica
|
| Departamento: |
Psicologia
|
| País: |
BR
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/15383
|
Resumo: |
This thesis aims to show an analyst s problematizations who tries to make his work a piece of art, on Nietzsche s style. Art as an act of invention, creation of new worlds, new existential possibilities, always unfinished and unpublished. Using cartography, I trace lines. To reach my purpose, I trace a route and question the hard lines of psychology and its ethical / political deadlock, in alliance with Michel Foucault. Following more flexible lines, introduce the concept of desire as machine, as production, developed by Gilles Deleuze and Felix Guattari. These lines are being arranjed to show that it is possible an inventive, experimental clinical, and that has life as criterion. Finally, I present narratives from this intended to be inventive clinical. Show the lines of customers / artists, their implications with life, their "black holes", and his unique way of being in the world and invent life |
