O Sermão da Sexagésima: uma arena de vozes

Detalhes bibliográficos
Ano de defesa: 2008
Autor(a) principal: Oliveira, Lucimara de lattes
Orientador(a): Brait, Elisabeth
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Linguística Aplicada e Estudos da Linguagem
Departamento: Lingüística
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://tede2.pucsp.br/handle/handle/14012
Resumo: The aim of this work is to analyze Padre Antônio Vieira's Sermão da Sexagésima in its compositional form, style and theme (Bakhtin 1979/2003), and also the interdiscourses that compose it so as to identify how the sermon genre was conceived by the jesuit in his socio-historical context. We believe that studying the Sermão da Sexagésima means to identify its discourse's modernity, update it and assess it in a different situation which can contribute for discourse analysis's studies and for teachers who have to motivate high school students to read and understand Vieira's work. For the Sermão da Sexagésima's analysis we take as theoretical perspective the bakhtinian notion of discursive genres and the presence of the other's discourse (Bakhtin 1929/2004; 1979/2003). We follow Bakhtin and his circle's ideas for language studies, under a socio-historical perspective. Hence, we will recover this sermon's circulation sphere in relation to its sociohistorical context, its interlocutors and its aim, relating it to Vieira's contribution to sermons in terms of a discursive genre. Therefore, we will investigate Vieira's updating process for this kind of genre