Detalhes bibliográficos
| Ano de defesa: |
2024 |
| Autor(a) principal: |
Brandão Júnior, Geraldo Gomes
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| Orientador(a): |
Navas, Diana
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| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
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| Programa de Pós-Graduação: |
Programa de Pós-Graduação em Literatura e Crítica Literária
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| Departamento: |
Faculdade de Filosofia, Comunicação, Letras e Artes
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://repositorio.pucsp.br/jspui/handle/handle/43889
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Resumo: |
This work aims to fill a gap by rescuing from oblivion the poetic work of the writer, journalist, novelist, intellectual and congresswoman, Adalgisa Nery (1905-1980), whose journey begins with the experience of a sensitive childhood, full of dreams and imagination, the latter essential to poeticity according to Gaston Bachelard (2018). Her poetic journey begins with the autobiography The Imaginary (1959) and her poems, full of biographematic traits, communicate with her life (Merleau-Ponty, 1984), which makes us resort to the concepts of Autobiographical Pact, by Philippe Lejeune (2008), and Biographeme, by Roland Barthes (2015a; 2005). Adalgisa Nery, born in the Laranjeiras neighborhood, published texts between the 1930s and 1960s, being a reference in poetry and political journalism. However, today, few know the woman who, combative and fought, sought to unveil the truth and wished to represent it, through language, manifestation of an incarnate living body, according to Merleau-Ponty (1984). Her poetic I p |
