Detalhes bibliográficos
| Ano de defesa: |
2017 |
| Autor(a) principal: |
Esteves, Anderson Alves
 |
| Orientador(a): |
Valverde, Antonio Jose Romera |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Filosofia
|
| Departamento: |
Faculdade de Filosofia, Comunicação, Letras e Artes
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/20038
|
Resumo: |
The thesis deals with the Theory Herbert Marcuse's criticism regarding the limits and the possibility of emancipation [overcoming the principle of performance for the aesthetic ethos] in the context of Monopoly Capitalism of the twentieth century: Chapter I shows the Author's arguments about the new forms of social control [technology, false needs, culture, politics, language, mental structure] which contributed to the company's management; Chapter II is the decades policy object 1960 and 1970 [the Great Refusal and its characters (the intellectual, the student movement, the population of the ghetto and the ethnic question, the movements of national liberation, the liberation movement of women the environmental movement), the role of new awareness and education, the formulation of the concept of Integral Socialism, the New Left and its strategy]; Chapter III deals with how the author thinks aesthetics [aesthetic reduction, aesthetic need, aesthetic ethos, art and engagement, character dialectic so bourgeois art], also among the aforementioned decades, as a way of overcoming the reality principle in effect |
