Detalhes bibliográficos
Ano de defesa: |
2009 |
Autor(a) principal: |
Azevedo, Adriana Barin de
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Orientador(a): |
Orlandi, Luiz Benedicto Lacerda |
Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Dissertação
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Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
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Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica
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Departamento: |
Psicologia
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País: |
BR
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Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
https://tede2.pucsp.br/handle/handle/15785
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Resumo: |
The presenting research refers to the assemblage of a possible clinical regard as an intersection between the Philosophy seeking the ways of life of an individual through one's surrounding affects and what can be extracted from the bodies' expressivity in scenes from two films: "Wings Of Desire" and "El Violín". That is the privileged encounter of this work, for it takes us to an immanent way of thinking that conducts the clinical regard to see what lies "in between things", into the lived experiences. The alliance between Deleuze and Spinoza becomes the very core of the research, for it stimulates us to polish the lenses, observing the individual from a process of variation of power, thus building a visionary clinical regard. That regard is effectuated by a critical and clinical observation and evaluation of the defining ways of life in which the individuals vary, increasing or decreasing their "power degree". The intention is to draw a map of the moving affects, in order to understand a body´s power to affect and be affected. The research follows a trajectory that shows how another manner of thinking, the comprehension that encounters are extensive and intensive, and the constitutive dimensions of the individual lead us towards the knowledge of ways and manners of life one builds from one's encounters. Within that process we shall find a visionary clinical glance, thoughtful of the engendered compositions in the experience of a singular life |