Detalhes bibliográficos
| Ano de defesa: |
2019 |
| Autor(a) principal: |
Queiroz, André Sanchez
 |
| Orientador(a): |
Borelli, Silvia Helena Simões |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Ciências Sociais
|
| Departamento: |
Faculdade de Ciências Sociais
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/22783
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Resumo: |
The Hip Hop – an urban, black and peripheric cultural form, consolidated in the periphery of the major Brazilian cities and organized by collectives, networks, “posses”, rap groups, social movements and others civil society organizations – acts through resistance and, at the same time, negotiation practices in the different ways that its subjects uses the urban territories. This research investigated the network of cultural production Fórum Hip Hop MSP (Municipality of São Paulo), that was formed through a dynamic of relations with other collectives in different regions of the city of São Paulo. This path was based on the following questions: who are the subjects that act in this network? Where its political-cultural actions and practices are situated in the frontier between institucionality and autonomy? In which situations and in what way the subjects resist and negotiate with the State and other organizations? How the Fórum relates with residual, dominants and emergency cultural forms of black and peripheric cultures? How they incorporate, in the everyday life, the meanings and values of Hip Hop and social movements inheritances? What are the contradictions in the appropriations and uses of the territory? How they resist racism and genocide of the black, poor and peripheric youth population? The methodology focused on qualitative research techniques, such as ethnographic observation, in-depth interview and social media monitoring, and prioritized the subjects narratives to comprehend the practices of the Fórum Hip Hop that articulate culture and politics. This research was based on the Britain cultural studies, on authors such as Raymond Williams and Stuart Hall, and its resonance in Latin America, on authors such as Jesús Martín-Barbero. The hegemony in public policy of Hip Hop from São Paulo is represented, among other collectives/ networks/ groups, by the Fórum. But the network seeks to produce its political-cultural actions in the frontier between the institutionalization and the search for autonomy. Through its actions, negotiates with the institutionalized territories to resist racism and genocide |
