As canções e filmes como recursos codificadores e descodificadores no currículo da EJA

Detalhes bibliográficos
Ano de defesa: 2011
Autor(a) principal: Viana, Kety lattes
Orientador(a): Saul, Ana Maria
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Educação: Currículo
Departamento: Educação
País: BR
Palavras-chave em Português:
EJA
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://tede2.pucsp.br/handle/handle/9594
Resumo: This paper aims at investigating, through a critical perspective and through an educational approach from Freire s liberating views, the possibilities of building a critical syllabus, specifically a syllabus proposal for the Education of Youth and Adults, fundamented on the epistemological, ethic and politic theories stated by Freire through music and movies such as codifiers and decodifiers of generating themes in the curriculum of the EJA. Therefore, the study is performed at CIEJA Santana-Tucuruvi, with a Literacy class in the Human Science area. The theoretical referential about education and syllabus relies on the study of critical tradition authors such as Apple, Goodson, Arroyo, Sacristán, Saul and Silva. The action research and the methodology adopted are fundamented on Thiollent and on the epistemological and methodological categories by Freire in order to check the critical rationality necessary on the proposal. The results focus on the concrete possibilities of a critical syllabus guided by the dialogical, participating, ethic and political principles. The limitations and problems faced on building a critical syllabus still exist such as the rigid organization of school time and space, lack of group work among the educators making it difficult to perform interdisciplinary work and the lack of investment in the critical education of teachers