Detalhes bibliográficos
| Ano de defesa: |
2011 |
| Autor(a) principal: |
Martins, Emerson Pingarilho |
| Orientador(a): |
Rolnik, Suely Belinha |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica
|
| Departamento: |
Faculdade de Ciências Humanas e da Saúde
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/15021
|
Resumo: |
Visual dissertation as objective to draw the lines of strength that permeate the subjectivity registered in cultural phenomena that influence my own visual work, photographic researches that register acts from completely different places, but that have a shared line considering all paintings and drawings presented here. Afro-brazilian rituals, vodu, african hunters, artists and people coming from the subcultures. Multiplicity in brute and random elements, graphics, the recombination of what is directly found in nature and the streets of the metropolis as ac-tive expression. The term Urban Shamanism refers to the aesthetics, to the visual and actions registered on the photographs. Actions meaning to affirm an aesthetics, of aiming to live and create a visual style that can be understood as a poetic line like they are showed up on the documented photographs. The act of drawing was like to land in an enigmatic field that by the time has became the essence of my blood through the ink witch I ve been feed, in the simplicity of the feeling s flow |
