Detalhes bibliográficos
| Ano de defesa: |
2015 |
| Autor(a) principal: |
Pizzicola, Gustavo
 |
| Orientador(a): |
Junqueira, Maria Aparecida |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Literatura e Crítica Literária
|
| Departamento: |
Literatura
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/14766
|
Resumo: |
This dissertation analyzes the relationship between the genre of epic romance and allegory in one of the works of Valêncio Xavier (2006), Rremembranças da menina de rua morta nua e outros livros. The corpus shows up by a cryptic way, cultivating a hybrid literature, composed of collages and clippings extracted from various types of media. The central problems of this dissertation were how the epic is retaken in the novels analyzed and if there is a possibility of an allegorical interpretation of these novels. The intention is to understand the procedures used by the author, with particular attention to the montage, articulating it with the characteristics of the epic, as conceived by Georg Lukacs. Next, the corpus is illuminated by the concept of allegory, in its relation to an idea of melancholy. The theoretical framework is founded in Georg Lukács, Walter Benjamin, Theodor Adorno, Serguiéi Eisenstein and Giorgio Agamben. As a result, we came to the conclusion that Valêncio Xavier recoves the epic genre principally by means of montage and citation, giving a new dimension to the novel genre and inscribing it in contemporary. In addition, the allegorical reading of the work in question can only to happen by means of an understanding of melancholy, pathos that pass the analyzed novels |
