Cotidiano e guerra nos cinemas de Belém (1939-1945)

• Ano de defesa: 2007
• Autor(a) principal: Silva, Allan Pinheiro da
• Orientador(a): Dias, Maria Odila Leite da Silva
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em História
• Departamento: História
• País: BR
• Palavras-chave em Português: cinema; política; cotidiano; Segunda Guerra; cidade; propaganda; antizanismo; Estado Novo; Belem, PA > Historia; Cinema > Aspectos sociais > Belem, PA; Cinema norte-americano > Influencias; Guerra mundial, 1939-1945 > Cinema e guerra
• Palavras-chave em Inglês: Cinema; Politic; Daily; Second War; Town; Advertising; Antinazi and New State
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::HISTORIA
• Link de acesso: https://tede2.pucsp.br/handle/handle/12994

The dissertation discuss the cinema in Belém during the World War Second, involving the daily of the projection rooms, the influence of the hollywood movies, the passage of artists on town, the cinematographic production in Amazônia with Libero Luxardo, the transmission of informations about theconflict down the newspaper cinema and lenght movies, the advertising of countries in war and participation of public power and others social and state sectors engaged, direct or indirect in conflit. Begining from advertisement and relatives articles for the cinema in Belém, published at the Folha do Norte newspaper in the A Semana magazine, the research looked for reflect about the relation of cinema with the society as space of sociability and advertising. In this perspective, looked for visualize how the exhibitions of movies referring to conflit and utilization of projection rooms modify during the conflit, assuming initialy a neuter posture and with the entrance of Brazil in the war adhering the antinazi of allied countries.To consider that those discourse presented in the movies looked for emphasize the good-neighborhood politic conducted by north american government and by principal cinematographic studios of United States, so the majority of movies exhibited in the cinemas of paraense capital were produced in Hollywood. So, searched to interpreted the performance of social fellow as important integrant in the construction of relation of cinema as space of several interests, winning during the second conflit prominence by to be a for the principal mass media used in propagation of ideal and politic interests