A inscrição do tempo como artifício poético em A desumanização, de Valter Hugo Mãe

Detalhes bibliográficos
Ano de defesa: 2020
Autor(a) principal: Limongi, Cinthia Zanetta Papaterra lattes
Orientador(a): Bastazin, Vera Lúcia
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Literatura e Crítica Literária
Departamento: Faculdade de Filosofia, Comunicação, Letras e Artes
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://tede2.pucsp.br/handle/handle/23515
Resumo: This study aims to highlight the poetic inscription of time in the novel A desumanização [2013], by Portuguese writer Valter Hugo Mãe. The research arises from the search for an answer, from a question about the construction of temporality in the text and the narrative effects achieved using this artifice. The hypothesis is that temporality is inscribed in a multiple way, that is, present, past and future unfold simultaneously, giving priority, above all, to the poetics of the text. In this same direction, we also highlight the importance of the word in the novel's temporality, and the time-space relationship that is built by the poeticity of language. Thus, when looking for a theoretical basis for the analytical approach to time, we mainly resort to the studies of Santo Agostinho (1999), Benedito Nunes (2013) and Paul Ricoeur (2012). To analyze the inscription of mythical time, we also resort to Mircea Eliade (1978) and Enst Cassirer (1985). When we highlight the relevance of the poetic word in narrative temporality, we used the critic Antonio Candido (1995) and, in relation to space, we mobilized, once again, Paul Ricoeur's studies. The main objective of the research is to contribute to the critical fortune of the author and the work, offering an analytical approach from the perspective of temporality, an approach that has not been explored by critics until now