Detalhes bibliográficos
| Ano de defesa: |
2023 |
| Autor(a) principal: |
Marques, Roberto Propheta
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| Orientador(a): |
Greiner, Christine
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| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
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| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
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| Departamento: |
Faculdade de Filosofia, Comunicação, Letras e Artes
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://repositorio.pucsp.br/jspui/handle/handle/39726
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Resumo: |
The objective of this research is to analyze the sanskrit literature associated with Yoga in its discursive strategies of capturing and suppressing the political dimension of the body as an aesthetic event. This is justified by six reasons: (1) the strong presence of art in the newly discovered Indus Civilization (which existed in the 20th century BC), preceding the advent of the Veda (founding texts of sanskrit culture, in the 15th century BC); (2) the absence of any consideration of that art, and that civilization, in the Veda; (3) the eminently aesthetic value of Aranyaka literature, which emerged on the margins of Vedic culture around VIII BC, which coincides with the end of the Veda; (4) the profound correlation between the aesthetic value of this literature and the event of the body named, for the first time, Yoga; (5) the disruptive nature of this event in vedic culture, causing significant social dissidence, and in sanskrit literature, both formally and epistemicly; (6) the fact that an important part of the literature subsequent to the advent of the Aranyaka is readable as a response to this event, promoting its discursive capture and the suppression of its subversion value. We start from the hypothesis that Yoga comes to the world as an art of the body, producing clear political subversion in the vedic culture, and that the preservation of power structures that persist until today in this culture is based on the suppression of the aesthetic event of Yoga, converted into practice of health and spiritual well-being. The method employed is the contextual and intertextual analysis of the following texts: the Veda; the Aranyaka; the Upaniṣad; the treatises of the Sāṁkhya system; the Mānavadharmaçāstra; the Bhagavad Gita; the Yogasūtra; the Tantras and the literature of Haṭhayoga. The results of this research produce a tensioning of the orientalist and stereotyped versions of Yoga |
