Colocação pronominal: ocorrências na obra Paulicéia Desvairada de Mário de Andrade

• Ano de defesa: 2017
• Autor(a) principal: Florciz, Rodrigo
• Orientador(a): Fávero, Leonor Lopes
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Língua Portuguesa
• Departamento: Faculdade de Filosofia, Comunicação, Letras e Artes
• País: Brasil
• Palavras-chave em Português: Língua portuguesa - Gramática; Língua portuguesa - Pronomes; Andrade, Mario de [1893-1945] - Paulicéia Desvairada - Crítica e interpretação
• Palavras-chave em Inglês: Portuguese language - Grammar; Andrade, Mário de [1893-1945] - Criticism and interpretation; Portuguese language - Pronoun
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA
• Link de acesso: https://tede2.pucsp.br/handle/handle/20520

This dissertation is part of the research on History and Description of the Portuguese Language of the Postgraduate Studies Program in Portuguese Language of the Pontifical Catholic University of São Paulo (PUC-SP), which is divided into three chapters and analyzes the work Paulicéia Desvairada by Mário Raul de Morais Andrade, Mário de Andrade, one of the most important writers of Brazilian Modernism. We note that Mario incorporates the artistic, philosophical and aesthetic tendencies of his time in his works and that Paulicéia Desvairada has the contradictions of Modernism, particularly with regard to the pronominal placement, but it is still an innovative work on the Brazilian scene. The methodological procedure is the theoretical-descriptive-analytical and in the theoretical apparatus, we use Fausto (2003), (2006), Brito (1959) and Pinto (1978), (1981) and (1988) as a way of understanding the historical, literary and linguistic moment. The relevance of the research is justified, since there are few linguistic studies about Mário de Andrade. The results attest that Paulicéia Desvairada is a central work of Brazilian modernism