Detalhes bibliográficos
| Ano de defesa: |
2014 |
| Autor(a) principal: |
Fernandes, Francisco Ferreira de Camargo
 |
| Orientador(a): |
Naffah Neto, Alfredo |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica
|
| Departamento: |
Psicologia
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/15378
|
Resumo: |
The present study aims to investigate the relationship between psychoanalysis and Surrealism, and to establish the conditions for a painting to become the ultimate object of fascination. I.e., how a work of art can rise to the dignity of the Thing. The work also aims to establish what is meant by painting from three different positions: one cezannean, one dalinian and one lacanian, and how this concept can be expanded. Finally, we also investigate in detail the features that support this place of the object of worship, such as identification, fantasy and the object a. Lacan considered art to play an essential role in showing what cannot be seen. This research seeks to relate these two fields, art and psychoanalysis, and see what, in this relation, has tangentially the condition of the Thing |
