Detalhes bibliográficos
| Ano de defesa: |
2020 |
| Autor(a) principal: |
Sousa, Livia Mandarino de
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| Orientador(a): |
Navas, Diana |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
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| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Literatura e Crítica Literária
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| Departamento: |
Faculdade de Filosofia, Comunicação, Letras e Artes
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/23346
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Resumo: |
This research aims to analyse how the narrators of Trilogia do Adeus (2017) articulate their memorialistic narratives, and what are the effects generated by them. Published by João Anzanello Carrascoza, the trilogy is formed by Caderno de um ausente (2014), Menina escrevendo com pai (2017) and A pele da terra (2017). Composed by three different protagonist-narrators, father and siblings, it’s possible to notice similarities in the novels that relate them, while it is possible to identify characteristics that distinguish each one, making them unique voices. Of bibliographic and exploratory-descriptive feature, this study has the hypothesis that the expression of the memory interferes on the speech of the narrators, who create fragmented and non-linear narratives, reflecting the contemporary subject in their composition. To answer to the research’s problem, we used Wayne Booth’s (1973) theory about the narrator, to comprehend its role and potential during their narrative construction. We based this study in Henri Bergson (199) and Ecléa Bosi (2003), in order to investigate the perception of the protagonists’ memory, and to identify how they exteriorize it in their writing. We have also found, in Walter Benjamin (2011), a reliable source to the foundation of this research, which considers the oral narrator as a creator, not only of stories, but also of new narrators |
