Detalhes bibliográficos
| Ano de defesa: |
2010 |
| Autor(a) principal: |
Silva, Isabel dos Santos
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| Orientador(a): |
Palo, Maria José |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
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| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Literatura e Crítica Literária
|
| Departamento: |
Literatura
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/14647
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Resumo: |
This work aims at proposing an analysis on Antonio de Alcântara Machado s piece Brás, Bexiga e Barra Funda (1927), considering it a register-narrative of Italian-paulistano factory-hands quotidian and the cartography of São Paulo in the 1920 s. Thereunto we chose three narrative elements that proved to be essential to the register-narrative elaboration: the author aesthetic project - (documental prose), the presence of a city s space documentarist narrator and the register of the Italian-paulistano labourers quotidian life. The opening chapter captures Alcântara Machado s point of view on the 1920 s Literature and presents the documental prose principles, a project coined and made real by the author in Brás, Bexiga e Barra Funda. The documentarist narrator is shown on the second chapter, where São Paulo s cartography is taken as a privileged fictional spot to the narrative-register documentation, as well as Italian-paulistano customs, traditions and habits. The final chapter is focused on the analysis of the short stories Gaetaninho, Lisetta and Carmela from the social-historic perspective, highlighting the Italian-paulistano workers quotidian register, captured in their drama and aspirations put in focus by oppression caused by the irreversible city modernization |
