Trilha sonora: da tv ao Youtube, mediações narrativas na telenovela Passione

Detalhes bibliográficos
Ano de defesa: 2012
Autor(a) principal: Ledo, João Paulo Fagundes lattes
Orientador(a): Borelli, Silvia Helena Simões
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Ciências Sociais
Departamento: Ciências Sociais
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://tede2.pucsp.br/handle/handle/3394
Resumo: The objective of this dissertation is to present a reception research carried out by relating the sound track of the soap opera Passione(RedeGlobo), the digital platform youtube.com, and the creation of musical narrative, through the appropriation of the internet by holdings through the cracks, gave us verify how some relations ships are mediated by the media in cyberspace, and the reports and discussions of internet source of primary analytical work, where the cultural matrix of a cultural product, especially melodrama, are evidenced by possibility of emerging digital. The research is based on theoretical British Cultural Studies, especially in the figure of Raymond Williams, in addition to studies concerning Latin American School, where work and the theory of mediation of Jesus Martin-Barbero were used as main reference forthe topic discussed here, references as well as Michel de Certeau on appropriations. Alson in this context, the work of Pierre Lévy and Henry Jenkins about cyberspace, cyber culture and convergence culture, were used by the prospect of understanding how the new digital presents on the internet with the creation of digital narratives