A oralidade em Toda nudez será castigada, de Nelson Rodrigues

• Ano de defesa: 2010
• Autor(a) principal: Oliveira, Juliam Izabel de
• Orientador(a): Preti, Dino
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Língua Portuguesa
• Departamento: Língua Portuguesa
• País: BR
• Palavras-chave em Português: Diálogo literário; Língua oral; Fachada; Face; Sociolinguística Interacional
• Palavras-chave em Inglês: Literary dialogue; Oral language; Representation; Face; Interactional sociolinguistics
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA
• Link de acesso: https://tede2.pucsp.br/handle/handle/14183

This study aims to analyze problems that involve representation and preservation of the face in dialogues of a written theatre text. For the development of this research, we selected the text Toda nudez será castigada, written by Nelson Rodrigues. We started from a theoretical reference that is based, mainly, on Conversation Analysis and Interactional Sociolinguistics. This way, we are going to present some theory on oral language in written language that has to be taken into account (cf. Preti, 2004 and Urbano, 2000). The research material analysis showed that the characters representation varies according to their interactants and to the situation that they are put in. We identified that this change in representation is a social image preservation act (face preservation). However, from our analysis, we could find out that these changes in representation are not a warranty that the speaker s face can be preserved. We also presented some situations that the character s dialogue showed different attempts to preserve the face, situations that changes in representation were not analyzed